FAB 0018 Luigi Boccherini: Stabat Mater - Symphonic & Chamber Music
Stabat Mater - Symphonic & Chamber Music
Label: Amadeus Best
Category: Classical Music
Composers: Luigi Boccherini
Artists: Il quartettone
CD 1
Tatiana Korovina, soprano
Mario Brunello, cello
Carlo De Martini, concertmaster & conductor
CD 2
Mario Brunello, cello
Il Quartettone
Carlo De Martini, concertmaster and conductor
CD 3
Le Ricordanze, string quartet
Carlo De Martini, first violin
Stefano Barneschi, second violin
Livia Baldi, viola, Caterina Dell’Agnello, cello
Mario Brunello, first cello
Format: 3 CD
Cat. number: FAB 0018
Release: October 2022
Preview Tracks CD 1
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1. Stabat Mater |
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2. Cujus Animam |
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3. Quae moerebat |
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4. Quis est homo |
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5. Pro peccatis |
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6. Eja mater |
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7. Tui nati |
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8. Virgo virginum |
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9. Fac ut portem |
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10. Fac me plagis |
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11. Quando corpus |
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12. Sinfonia in Do minore Op.41 G.519 - I Allegro vivo assai |
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13. II Pastorale - Lentarello |
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14. III Minuetto - Allegro |
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15. IV Finale - Allegro |
Preview Tracks CD 2
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1. Concerto per Violoncello n. 11 in Do maggiore G.573 - I Maestoso |
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2. II Largo cantabile |
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3. III Allegro comodo |
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4. Concerto per Violoncello n. 7 in Re maggiore G.476 - I Allegro |
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5. II Largo |
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6. III Allegro a piacere |
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7. Concerto per Violoncello n. 5 in Mi bemolle maggiore G.474 - I Allegro moderato |
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8. II Largo |
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9. III Rondò - Allegro |
Preview Tracks CD 3
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1. Quintetto G 275 in mi mag. - I Amoroso |
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2. II Allegro con spirito |
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3. III Minuetto. Con un poco di moto |
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4. IV Rondeau. Andante |
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5. Quartetto in re mag. G189 - I Moderato |
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6. II Grave |
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7. III Allegro assai |
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8. Quartetto in sol min. G 196 - I Larghetto |
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9. II Minuetto |
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10. Quintetto in mi bem. G 304 - I Sostenuto |
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11. II Moderato |
Review
Boccherini, one of the most unjustly neglected composers of the eighteenth century, appears innovative, surprising and, why not, unscrupulous. In these pages we have gathered together a highly significant panorama of the art of the composer from Lecco, who knew how to be varied not only in the multiplicity of genres he dealt with (from sacred music, such as the Stabat Mater, to symphonic and chamber music) but also within the same genre, where the wealth of ideas, writings and forms is surprising. This is refined music that does not seem to be aimed at the audience of halls and theatres, but at true connoisseurs, and is all the more appreciable if performed according to the right rhythms, even if uneven, and mobile dynamics. A panorama as varied and at the same time as classical and full of pathos as a sculpture by Canova.
